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- Dance + Artist Talk + Empathy
- Landscape
- Togetherness
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Fr., 13.01.2023, 19:00
Artist talk following 'The Infinite Gesture'
The piece is a choreographic process that evolves from a simple gesture of empathy for oneself and for others. After the performance an artist talk will give space to further discuss the topic of empathy.
- 1A dialogue between 3 dancers* to venture a choreographic landscape along questions of a new social togetherness.
With the format "time to meet" accompanying the performances, Tanzfabrik Berlin invites the audience to enter into a dialogue with Tanzfabrik, the artists and each other. The forum is intended to create a decelerated meeting place that offers space for intensive exchange and feedback.
Free admission / Without registration.
Event will be online on the 15.12. on the homepage of Tanzfabrik.
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Fr., 13.01.2023, 19:00
About the venue
Tanzfabrik Berlin
Tanzfabrik Berlin works as an internationally known centre for Contemporary Dance. It offers space for rehearsals, production, artistic and theoretic research, advanced training, further education, workshops and regular classes. Its main aim is to focus on development, presentation and agency of contemporary dance in all of its diversity of choreographic and performative approaches. This includes the promotion of young artists, the connection of theory and practice and international exchange.
About the Performance
The Infinite Gesture
The Infinite Gesture (wt) is a choreographic process that evolves from a simple gesture of empathy for oneself and for others: From the sensitive expression of (self)embrace and touch, it generates a formal movement vocabulary and dialogue between 3 dancers* to venture a choreographic landscape along questions of a new social togetherness.
About the artist
Ixchel Mendoza Hernández
Ixchel Mendoza Hernández is a Mexican freelance choreographer, performer and dancer based in Berlin. She completed her choreography and dance studies with Artez Arnheim in 2007. From 2013 to 2015 she was engaged at MA SoDA, HZT in Berlin. During this time she started to explore a phenomenon she calls "Visual Ghost", an experiment of perception that is continuously transforming or evolving.